Assassins

Apr. 12th, 2026 01:14 pm
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We finished our winter Sondheim trilogy last Friday with "Assassins" (having previously seen "Into the Woods" and "Sunday Afternoons in the Park with George" while in California for Christmas, which when you put them all together is oddly enough Sondheim's main work of the 80s).

I wasn't sure of the structure: presidential assassins sitting around talking about themselves. But it turned out to be pretty great. My second favorite of this trilogy (after the light but immensely clever "Into the Woods").

What really struck me is how much the whole thing is a righteous indictment of American society. A lot of it is focused on the false promise that anyone can be great in American society if they just work hard. Which, obviously, bullshit. There are extreme structural deficiencies in American society that work against that sort of thing in the modern day. But lots of people believe it. And politicians twist that to make their followers hate people who aren't their followers. ("They're taking away your opportunity! It's the only reason you haven't achieved the American Dream!") And if those people finally see the light, then they end up lounging about around a golf club with a gun.

(Which the play suggests is one of the sources of assassins.)

There was lots more too. Lots more indictment and lots more suggestion of how it might make people decide to kill a president. One assassin was physically ill and not cared for. Multiple assassins were mentally ill and not cared for. One was caught up in false romanticism. A few more were mired in delusional spiritualism. Again and again, Sondheim pointed out how many of the pillars of American society are deeply unhealthy.

One thing that struck me in the play was how Sondheim suggested that dreaming unlikely dreams ultimately causes unhappiness. Because that's not far from his messaging in "Into the Woods" where he instead talks about the danger of "I wish ..."

The characters were also intriguing. Sometimes you'd come to like one of them, and then they'd suddenly remind you of how they were terrible people. I also loved the imagery of Booth being a spectre haunting all of American history.

I enjoyed the songs. They were lyrical and clever. None of them have particularly stuck with me, though I suspect some would if I heard them a few more times. It was also a well-produced and well-acted play (which is usually the case at Kauai Playhouse; we don't always like their choice of plays, but when we do, we enjoy the productions).

There's one more Playhouse play for the year, which I suspect we're going to see on one of the next few weekends.

The case of the missing notifications

Apr. 11th, 2026 11:58 pm
denise: Image: Me, facing away from camera, on top of the Castel Sant'Angelo in Rome (Default)
[staff profile] denise posting in [site community profile] dw_maintenance

I keep forgetting to post about this: we've been troubleshooting the "missing notifications" problem for the past few days. (Well, I say "we", really I mean Mark and Robby; I'm just the amanuensis.) It's been one of those annoying loops of "find a logical explanation for what could be causing the problem, fix that thing, observe that the problem gets better for some people but doesn't go away completely, go back to step one and start again", sigh.

Mark is hauling out the heavy debugging ordinance to try to find the root cause. Once he's done building all the extra logging tools he needs, he'll comment to this entry. After he does, if you find a comment that should have gone to your inbox and sent an email notification but didn't, leave him a link to the comment that should have sent the notification, as long as the comment itself was made after Mark says he's collecting them. (I'd wait and post this after he gets the debug code in but I need to go to sleep and he's not sure how long it will take!)

We're sorry about the hassle! Irregular/sporadic issues like this are really hard to troubleshoot because it's impossible to know if they're fixed or if they're just not happening while you're looking. With luck, this will give us enough information to figure out the root cause for real this time.

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Last weekend, a few hours after getting off the plane from Shanghai, I made my way to Conquest Gaming Convention, where I would staff the RPG Review Cooperative stall for two-and-a-half days. In the midst of this, however, I had previously been slotted to give a lecture at The Existentialist Society on "The Decline of French Philosophy". So for a couple of hours in the midst of the convention, I snuck backstage, and with soundproofing provided by heavy stage curtains, delivered the presentation. It was well attended, well received, and is viewable on YouTube , including the questions and answers session. A transcript is available in English and in French, albeit the latter hasn't been double-checked. The basic summary is that the French did some excellent philosophy to the phenomenologists and existentialists in the 1950s and 1960s, went downhill with the post-modernists and post-structuralists from the 1970s to the early 2000s (albeit with some good insights, especially relating to setting, and a definite improvement in artistry), but following the "science wars" of the late 90s and early 00s, there has been some new French philosophers who are a somewhat more useful.

At the end of the meeting I was asked by the convener what future talk I would like to deliver; I immediately suggested Jurgen Habermas, who died at age 96 whilst I was overseas. Habermas is a "second-generation" Frankfurt School whose major contribution to philosophy includes combining linguistic pragmatics with ordinary language philosophy, "the theory of communicative action". Habermas was a very important influence on my own political thinking since the early nineties when I first read "Legitimation Crisis", a careful study of potential areas of break-points in societies. Whilst I wasn't expecting to give this presentation for some months, I received an email from the convenor of the Society that the next allocated speaker for May was unavailable, and whether I could step in and give my talk on Habermas. I agreed and then realised (after a bit of suspicion) that I would be the first person in the history of the Existentialist Society, which has been delivering monthly lectures since Feb 1974 to be the speaker for two month's in succession. It is a significant, if accidental, honour, and hopefully I'll give credit not only to the Society, but also to the subject.

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With the conclusion of the formal ACFS trip, our party of thirteen ventured in their own directions from Chengdu. For me, it was an early morning trip to Wuxi, which I'll do by train in the future. Wuxi is a city I have been to four times now, and I chose a modest local hotel where people spoke less English than I speak Chinese, and that's saying something. I was a 30-minute walk to the Tai Lake (the more common anglophone name, "Taihu Lake", translates as "Great Lake Lake"). The designated scenic and ecological area is quite beautiful and large enough to spend several days exploring. By chance, I had arrived for a weekend of the Cherry Blossom Festival (not just a Japanese thing), and the parklands were alive with visitors and entertainment. The real purpose of my visit to this city, however, came on the Monday when I was given the opportunity to visit the National Supercomputing Centre and the Sunway TaihuLight supercomputer, which held the world's no 1 position for an unprecedented two years in succession. This was a bit of a personal dream come true for me and, as a result, I have written a few notes about it on my main website along with some earlier comments about the Guizhou data centre and radio telescope.

From Wuxi, I took a high-speed train to Shanghai, which peaked at 298km/h. Arriving at Shanghai, I had a leisurely morning with Melbourne people, Nadia and Michael, visiting the Buddhist Jing'an Temple before going our separate ways. I moved into my small (one room) refurbished apartment in a block inhabited since the 1920s, inhabited almost exclusively by older locals. The following day I met with the local Friendship Association who took me on a tour of the Shanghai library, a gleaming seven-story building that is mostly library, part museum, and part community centre. The building is so designed that it appears to float over water and overlooks extensive parkland. After that, I was taken on a visit to the Shanghai Art and Design Academy (SADA), which included various media workshops and a museum-like showcase of the best examples from former students. That evening, I went on a lengthy walk along The Bund with its famous colonial buildings (the imperialists left something worthwhile), and then spent much of the following day at the extensive History Museum, before heading to the airport for the overnight flight back to Australia.

Thus ends my fifth trip to China in the last 2.5 years. If one has the means, I certainly recommend a visit to culture, history, and the environment. At each visit, I become increasingly confident in my own capacity to get around independently, and I am absolutely delighted at how organised and efficient the Chinese intercity fast-train system is, but also their various intracity metro systems that are all clean, quiet, safe, frequent, extensive, and inexpensive, making them absolutely the preferred way to travel. In the long run, I hope to arrange a cultural exchange between the Shanghai Municipality and Victoria based on UNESCO-level cultural cities, as well as an operatic exchange between Sichuan and Victoria. However, it's early days on both of these projects. In the meantime, it's time for a brief repose from international journeys.

October 2025

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